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From within the enclosure, the
color of the glass established a sense of spatial definition,
while its semi-reflective surfaces created surprising perceptual
readings. This is because of the 60 degree angle of glass
corner intersections, the always
changing conditions of daylight and seasons as well as
the position of trees within and outside the enclosure. From
outside the enclosure, the installation had a rather anomalous
object quality, insofar as its form was physically understood,
all the while reflecting its context of trees and visitors
off of itself. It also acted as a receptor for the intensely
figural shadows cast by the trees. |
