|
|
Wolf Prix and Helmut Swiczinsky's desire to capture a feeling
or emotion regarding a project through their blind sketches raises
more questions than providing answers. One can see that the sketch
on the previous page is similar to the view on this page. But
why? What is to determine the sketch's translation? In this case
the sketch influenced, strangely enough, a view of the structure
from the building across the street; a view from below is virtually
impossible, merely a few pieces of structure peek over the existing
parapet. The intuitive nature of the sketch is a given, but its
translation as either plan, section, perspective or any other
convention suggests that arbitrariness plays a great part, and
their role as artists is greater than with most architects. |
  |
|
